This page is FULL of info about my art business, personal art history, and more.  If you have any comments, questions, or suggestions, I can be reached via email at 

Artist Statement  

As a Non-Traditional Christian artist, my main objective is to invite viewers into my artworks for spiritual reflection and/or discernment.  Currently, I’m in a season of great change and have been doing contemplative abstractions by experimenting more with color and whimsical/playful compositions.  This started as a result of the Love Project, which is to be a large series of artworks centered upon the bottomless well of tender love that is the heart of Jesus the Christ.

This is my painting signature mark/logo, which are my initials: M D M  ~   I created this signature mark several years ago so that I wouldn't take up half of the lower portion of a painting trying to sign my long name.  The only time I don't use this signature is on the mini paintings and some abstract paintings.

*Logo designed by Glenda Williams  

As an artist, I have always been very concerned about the materials and mediums I use.  When I buy art for my home, I want to know that what I’m purchasing will be archival and well worth the price.  As a result of my own art purchasing criteria, I have invested a lot of time researching various paints, painting methods, and substrates (canvas, mdf board, etc.) in order to create an excellent product for my patrons that will hopefully increase in value over time.

To make sure that every aspect of a painting is chemically compatible and archival, only Golden Acrylic paints and mediums are used unless noted otherwise.   All of my paintings are done on cotton canvases that have been primed with gesso 2 or 3 times.   As the paintings are being created, various mediums and gels are added into the paint to increase the integrity of the paint film and develop the overall look I desire for each piece.  Acrylic Glazing Fluid, Polymer Medium, and GAC 500 are used to help with the fluidity of the paint by reducing drag and improving workability when the paint is wet, in addition to adding luster and sheen when the painting is dry.  Upon completion, each artwork is finished with 2 washes of clear coat (aka isolation coat) to help offer protection from scratches and dust buildup.  No varnishes have been applied to my paintings, as they tend to yellow when the painting ages. 

The polymers in acrylic paint are extremely flexible, which reduces cracking and fading over time, as a result, acrylic paintings that are taken care of properly by their owners can enjoy an extremely long lifetime.  All of my original paintings are signed on the back along with the title and year of completion.Typically, the abstractions aren’t signed on the front, just in case the patron wants to rotate the painting occasionally.

A Little Info About My Art Journey…

As a kid I would often sit and watch my mom draw and paint and was so in awe at the things she could create.   One afternoon when I was eleven I grabbed one of her paintings right after she finished it, ran off to my room and put it on my dresser.  I sat on my bed just staring and studied it intensely……wondering: How did she do that?   Can I do that?   That was the day I decided that I wanted to be an artist just like my mom.  

When I got into middle school, I started learning the basics about composition and design.  As I grew and developed as a young artist I was introduced to various art materials and techniques, but wasn’t able to decide on what medium I preferred until I experimented with oil painting when I was in high school.  From that time, until I was 23, I did a lot of experimentation and researched different oil paints and additives until I eventually switched to acrylic paints in 1997.   Technically speaking, oil and acrylic paints are both excellent art mediums.Over the past 50+ years, the advancement of artist materials has been absolutely phenomenal.Artists now have more choices when it comes to creating archival artwork in a variety of mediums.Acrylics and oils both hold up well over time if the artist is careful to apply them correctly to the substrate and they are displayed and cared for properly.

But back to being an oil seemed like I was always trying to find a “recipe” that would suit my preferred way of painting, which is/was in thin glazes.   With oils, that’s hard to do since they dry very slowly, you have to paint fat over thin, and the painting can take months, if not years, to completely cure.  There were other things that concerned me about oil paints, such as the toxicity factor, the potential cracking, fading, and yellowing that might occur after the painting was over 100+ years old.  It wasn’t until I attended a Golden Acrylic paint demo at school one night that I started to seriously consider changing mediums.  The guest artist was using a variety of Golden paints, additives, gels, etc., and the results were astonishing.  By the end of the demo, all of the “test” paintings were dry…it was almost unbelievable.    I thought about going to the art store to get some of the paints and mediums for experimentation, but since I had such a HUGE investment in my oil paints, additives, brushes, etc., I decided I would continue on in oils.  

A year later, while I was on vacation, I visited an art store (Artisan Santa Fe) that had a Golden Paint kit on sale, so grabbed it.  When I got back to my hotel, I decided to give it a whirl, but didn’t have a brush with me so I started finger painting…it was like painting with velvety butter and I was hooked.

As of 2016, I have entered into an experimental mode by getting back into oils a tiny bit and trying new materials/supplies.  These are the days to try new things and have fun during the journey.  : )

Framing Recommendations

A good frame can truly “set off” a piece of artwork.  Sometimes, the best way to choose a frame for your artwork is to decide what kind of emphasis you want the piece to have in the display setting or by what your budget allows.  The more ornate a frame is, the more it will cost.  Another thing to keep in mind is that ornate frames can sometimes take away from the artwork or make it look “too busy.”  A good frame will enhance the artwork.  Personally, I go with plain black frames that are 3-4 inches wide.  The color is neutral and it doesn’t distract from the artwork.  Local framing shops such as Hobby Lobby or Michaels have well trained staff that can assist you in finding the perfect frame for your art, so don’t hesitate to get their input if you’re having trouble trying to pick the perfect frame.

Returns & Refunds

Your satisfaction is important to me.  If your purchase is damaged during shipping, please let me know within 24 hours after receiving the artwork at

If your purchase arrived in perfect condition but you wish to make a return, please let me know within 7 days of receipt.  I will send you instructions on where to ship the item.  Please ship your artwork back in the original packing materials and container provided along with all the documentation that was sent with it.  Returns must be insured for their full value.  The cost of returning unwanted purchases rests with the customer.  After I receive your return and inspect it, a refund will be issued via PayPal as long as the item is returned in perfect condition.

(All images on this website are © by Michelle McSpadden, and may not be copied, transferred, duplicated or used in any way without expressed written permission. )